Jezebel
Byam Shaw was strongly influenced by Pre-Raphaelitism as is evidenced in this painting of the Old Testament story of Jezebel, which is treated with sensuality of colour and design. The strong design continues into the frame which depicts Jezebel’s death by being thrown to the dogs.
In the Book of Kings, Jezebel is described as a cruel, covetous and despotic ruler. The prophet Elijah predicts her death by dogs as divine punishment. Here she adorns herself to meet Jehu, the newly anointed King of Israel. But he orders her to be thrown from her window and her corpse is devoured by dogs in the street.
The painting originally depicted Jezebel naked. However, this was perceived as being too provocative and sensual, so it remained un-sold. According to the artist’s friend Rex Vicat-Cole ‘An offer came subject to this being altered – money was scarce and the artist unfortunately gave in.’ It is not clear if it was Sir Merton Russell-Cotes who ordered the clothes to be painted on top, but he certainly acquired the work.
The painting includes many Pre-Raphaelite details: the Chinese-style robe; the orange tiger lilies symbolising death, and the peacock symbolising vanity. Jezebel admires herself in a hand-mirror with a serpent motif while a large predatory black cat or panther leans against Jezebel’s leg, which may be suggestive of witchcraft and misfortune.
