La Siréne or The Siren

La Siréne or The Siren, 1879
Charles Landelle (1821-1908)
Oil on canvas
BORGM 01245
Image © Russell-Cotes Art Gallery and Museum

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La Siréne or The Siren

In early Greek art, sirens were portrayed as creatures with the heads of women and the bodies of birds. In later art, sirens were shown as mermaids with seductive bodies and alluring voices. People believed that sirens would sing enticingly to passing sailors and lure them to their death on the rocks.

Charles Landelle was born in Laval, France in 1812 and studied under Paul Delaroche and d’Ary Scheffer. After trips to Italy and the south of France, he copied the Old Masters at the Louvre. He began by painting portraits largely as a means of supporting himself. These were a great success and he had his first exhibit at the Salon in 1841. In 1852, Napoleon III bought several of his works and became a great admirer. Thanks to him, Landelle was awarded the Legion of Honor in 1855.

Landelle was known to also paint sacred subjects in an academic manner and carried out many decorative schemes in Parisian churches such as Saint Sulpice and Saint Nicholas des Champs and some work at the Louvre. Landelle travelled extensively in the Middle East and North Africa where he researched his biblical works as well as painting the people and scenes he encountered. He produced many paintings of beautiful women. With the introduction of oriental subject matter into his repertoire, Landelle was to achieve his greatest popularity and his paintings achieved high prices.

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