Suspicion: A Māori Chief

Suspicion: A Māori Chief, 1906
Charles Frederick Goldie (1870-1947)
Oil on board
BORGM 00900
Image © Russell-Cotes Art Gallery and Museum

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Suspicion: A Māori Chief

New Zealander Charles Goldie, along with Gottfried Lindauer (1839-1929), helped define how the Māori people of New Zealand were seen by the outside world. After showing artistic talent at school and training under Louis John Steele (1842-1918) he went to the Académie Julian in Paris and visited art collections across Europe before returning home.

He became devoted to Māori portraiture, developing friendships with his sitters and recording their culture. After his death, Goldie’s reputation suffered from a new focus on Modernism in New Zealand. He was also perceived as a patronising imperialist, until the pioneering work of art historian Roger Blackley (1953-2019) corrected this view.

Although respectful of the Māori, Goldie’s portraits were intended for the art market. As well as painting Māori leaders and elders, he also produced paintings like this. This sitter is unknown, but he wears a shark’s tooth earring and a Huia bird feather. The now-extinct Huia was a songbird that the Māori regarded as most sacred.

All the works by Goldie held in the museum were bequeathed by Mrs Sarah Struben Beulah Burton, daughter of W. Hobson of Auckland, New Zealand, who bought them directly from Goldie.


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